ROUGH TRANSLATION

[A U.S. born Latina wearing nurse’s scrubs and a name tag that reads, “Rosa Hernandez.”)

“People think being a nurse is pretty straight-forward… you just help whoever needs help.

But sometimes is not that simple.

Like once, when I had this patient, an old Mexican widower who seemed very distinguished despite being in the final stages of dementia… There wasn’t much we could do for him, just make him feel comfortable while he was with us.

When his condition worsened and he became violent, the only solution was to keep him sedated…

From that point on, he seemed to forget English and only spoke in Spanish. This was a big problem for his children because none of them spoke a lick of it…

So when one of them saw my name, they grabbed me and asked me to translate.

But despite all appearances, I barely speak Spanish and only half understand it.

They seemed so desperate though… I couldn’t refuse.

So I listened to the old man, caught a word here and there, like “agua” or “frío” and then I made up the rest.

When his time came, we reduced the sedatives so he could say goodbye to his children… Oh, and did he ever!

Again, I’m not that confident about my Spanish, but I could swear he was saying how angry he was at them, how lonely he had felt the last years of his life, how ignored…

He had especially harsh words for his older son, whom I’m pretty positive he called the disappointment of his life.

To be fair, it was hard to tell if he really meant what he was saying, or if it was the drugs and dementia talking.

He rambled on for a while until he passed.

His children immediately asked me what his last words meant… So I told them: “He wanted you to know he loved you very much.”

They were all very thankful… especially his older son.

And that’s why I say my job’s not that simple…

I’m not sure who I helped that day.”


Are you an actor or director interested in using this monologue? Contact us in ABOUT MONOLOGY!

 Copyright Abel Gonzalez 2016

THE CORP AND THE CORPSE

[A man around fifty-years-old in a suit.] 

“Remember that industrial waste spill a few years back? The one that contaminated our bay and drove all the fishermen out of business?

I was one of the lawyers who represented the fishermen in the civil suit against the corporation responsible. And, as you probably now, after two long years of litigation the jury came back with a non-guilty verdict.

My clients couldn’t believe it; They were crushed… they couldn’t grasp how the clear culprit of could get off scot-free like that…

So I told them this story to help them understand.

I asked them to imagine they find a corpse stabbed several times… and right next to the body there’s this guy holding a big knife that’s dripping with blood.

The guy, the obvious suspect, doesn’t resist arrest. In fact, he’s very courteous and fully collaborates with the police.

As expected, he gets charged with murder. But when the trial starts, to everyone’s surprise, he declares he didn’t do it. He assures the court it was actually his right hand, who, acting on its own accord, pushed the knife into the victim’s body.

So then they call the guy’s right hand to the stand. And among his sobbing, the hand states he happened to just be holding the knife when the guy’s feet started walking toward the victim.

To confirm the hand’s story, they call in the guy’s feet to testify. First, the right foot, who quickly clarifies it was the left foot who took the first step.

Under duress, the left foot accuses the guy’s heart of forcing him to commit the crime since he couldn’t have moved without its constant supply of blood.

The heart is also called in and, in a big twist, he blames the brain for everything… He calls it the mastermind.

And you may think this is the whole truth… Of course, the brain did it!

But not really because the brain quickly excuses himself by pointing out it was the guy’s eyes who selected the victim…

In turn, the eyes accuse the mouth of being the one who called out to the victim; the mouth does something similar to the ears, the ears to the nose, etc.

In the end, the case is so tangled and convoluted that it’s impossible to lay any blame on the guy… or his limbs.

So he walks out a free man. Just like in our case against the corporation.

Because although many of its members showed up for the trial…

There wasn’t a single conscience among them.”


Are you an actor or director interested in using this monologue? Contact us in ABOUT MONOLOGY!

 Copyright Abel Gonzalez 2016

A SLOW DANCE

[A 60-year-old man, bald but still attractive. He looks at peace with a content expression.]

“Susie and I were married for thirty years. We were happy, really happy.

Our best friends, the Olsons, were happily married too… that’s probably why we bonded so well.

Stuart was a nice guy, easy to talk to, good heart…

Lizzie, his wife, was… is beautiful, smart, full of life… Definitely something else.

We were so close we would go on vacation together, spend the weekends, sometimes we’d meet up after work for a drink.

Then, one day, Lizzie and I noticed my wife and her husband seemed to be getting even closer… I knew by the way Susie looked at Stuart; Lizzie saw how Stuart laughed at Susie’s jokes.

At first, we didn’t give it too much thought. After all, their personalities were very compatible, so it was only natural they got along so well.

In a way, Lizzie and I allowed the relationship to grow. We’d even encouraged them to just go together to the movies or to dinner when we weren’t up to it.

And yes, of course, we had our suspicions. Lizzie or I mentioned the possibility of them having an affair… and then we’d kid each other about our jealousy, our insecurities…

Then, not long ago, Lizzie called me… Stuart had confessed he was in love with Susie.

I asked my wife if she felt the same way about Stuart and she confirmed it. The following week they moved out and rented an apartment, ready to spend the rest of their days together.

Soon after, Lizzie and I did the same…

We thought they would never leave.”


Are you an actor or director interested in using this monologue? Contact us in ABOUT MONOLOGY!

 Copyright Abel Gonzalez 2016